When Stress Pushes Back: How Writers Can Stay Upright

Other blog posts

Writing an effective blurb

1 year ago
In this post, we are going to look at creating a compelling book blurb for the back cover (and online description) for your novel. We will explore the theory of a good blurb, as well as examine one from a successful published book. Crafting an enticing back cover blurb is crucial for capturing…

The science behind ‘Shower Thoughts’

1 year ago
Have you ever experienced a sudden, brilliant insight while washing your hair? You’re not alone. These moments, often referred to as shower thoughts, are surprisingly common, but why do they happen? What is it about the shower that seems to unlock our minds and grant us almost magical insights? As…

Mastering the art of subtly implying character power in action novels

1 year ago
My WIP was an actiony sci-fi story with a whole lot of superhero stuff. The MC is incredibly strong, but has numerous significant weaknesses. Not falling back on the clunky exposition or tired tropes that make up an awful lot of what we see in between those covers and which don’t come naturally to…

Relatable characters

1 year ago
Relatable characters in a story form an essential part of any interesting storytelling. So here, I’m going to take a look at some of the most useful ways to really get a reader invested in the journey a character is going to go on, and to forge a deep, resonant connection between readers and …

One bite at a time: How writing a novel is like eating an elephant

2 years ago
The thought of writing a novel can feel a bit like the old saying about the right way to eat an elephant. It’s a journey of a thousand miles — or a million words — that begins with a single step. Here’s what these two tasks have in common — more than you might think. Start small and take it…

Capturing the wild inspiration

2 years ago
Imagine walking along a trail and Bigfoot crossed your path but all you had was an axe and no way to take a picture with! You can try to explain what you saw, but the moment when everything came into focus has already gone. How many of you have this experience — you get hit by a great idea but you…

Today we have an article from guest blogger Jenna Sherman, a mom of three who hopes to help other parents acquire the skills to raise future leaders by providing valuable, up-to-date, authoritative resources. She created parent-leaders.com as an avenue for parents who want to make sure their children grow up to be strong, independent, successful adults.

Stress doesn’t always kick in the door. Sometimes it taps the glass. A missed email, a half-finished draft, a file that won’t open — and the day tilts. For people who write, pressure isn’t some rare spike in adrenaline. It’s more like humidity: always there, hard to measure, easy to ignore until everything feels heavier. What matters isn’t eliminating stress but learning how to move when it tightens the air.

What Stress Looks Like (When You Stop Ignoring It)

Stress in writers rarely screams. More often, it sits quietly in the neck, rides along in browser tabs, or shows up in three versions of a half-sentence that never land. How stress shows up in daily life is rarely dramatic. It’s subtle and slow. Writers working from home or alone — especially those juggling unpaid invoices and self-imposed deadlines — rarely get to name their stress. But that doesn’t mean it’s not there, shaping the tone, tilting the confidence, narrowing the choices.

When Writing Becomes the Exit Route

Still, the same tool that drains can also restore. Writing, when done without an audience in mind, becomes something else entirely. Creative writing’s effect on emotional health isn’t just anecdotal — it’s measurable. Stringing together thoughts with no commercial pressure, no looming feedback, creates clarity. Even fiction becomes therapeutic when characters say what the writer can’t. This isn’t therapy. But it’s not nothing.

Other People’s Stress Stories Help Regulate Your Own

Stress doesn’t just fade with solitude. In some cases, that’s where it grows. Community doesn’t have to mean exposure. Listening counts. Phoenix podcast episodes offer a strange comfort — stories of people fumbling through uncertainty, changing course, surviving pressure. It’s not advice. It’s something closer to calibration. Hearing what others carried makes the current weight less singular.

Patterns Save Energy — If They’re Yours

Small acts repeated often build rhythm — and rhythm holds. Building daily habits that strengthen resilience doesn’t need a five-step morning routine or a desk fountain. It might mean getting sunlight before checking Slack, or leaving the house once between edits. It’s not about wellness branding. It’s about pattern interruption — moving the body so the brain can loosen its grip.

Reframe the Moment, Don’t Rewrite the Life

Rejection and overwhelm don’t just feel bad — they distort thinking. The trick isn’t positivity. It’s repositioning. Evidence-based ways to handle stressors tend to sound simple, but there’s weight in framing. “This project failed” lands differently than “This attempt didn’t connect.” A slight shift in language rebalances the stakes. Writers already work in metaphors — the opportunity is to use them inward, not just outward.

Write Like Nobody Will See It

Mindfulness, often framed as stillness, can be noisy. But there’s a quiet to be found in motion, too. Journaling — not for structure, not for publishable thought, just for rhythm — opens a different kind of space. The practice of journaling that deepens mindfulness practice has less to do with insight and more to do with pause. Slow handwriting, stray thoughts, no delete key — that’s where clarity creeps in. And sometimes that’s enough.

Writing Depletes the Brain Differently — Treat It Accordingly

Creative labor wears the brain down differently. It’s not a myth. The unique stress impacts of writing work have been studied — extended narrative tasks tax areas of the brain that handle memory, sequencing, self-monitoring. Burnout here doesn’t always look like exhaustion. Sometimes it’s just quiet numbness. A draft that can’t move. A sentence that disappears mid-thought. Knowing this lets the writer work with the grain of their own limits.

Stress doesn’t always need to be “managed.” Sometimes it needs to be witnessed. Named. Given a shape. What breaks a person isn’t always the weight of stress — it’s the absence of movement around it. Writing can be that movement. So can a walk, a voice, a break, a notebook left open. What matters is that the writer’s voice isn’t buried beneath the noise. That it stays intact — uneven, unsure, but intact.

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